Long before the days of the rise of the Roman Empire, Italy was home to the Etruscans - a people far more advanced, so it is believed, than the later Romans.
Scholars are of the opinion that the Etruscans were a seafaring people from Asia Minor. As early as 1200 B.C. they were living in Italy covering an area equivalent to modern Tuscany. They later embraced a large part of western Italy, including Rome. They were the forebearers of the Romans and lived in this region up to the beginning of their Roman conquest in 300 B.C.
The Romans intentionally obliterated the memories of this great civilization. The Etruscans vanished from recorded history, leaving behind them a vast treasure of sculpture with largely un-deciphered inscriptions, paintings and artifacts.
Legend states that at the beginning of the Etruscan Age, the city of Rome was founded by the twin sons of the war God Mars. Their names were Romulus and Remus. The boys had been abandoned by their divine father and Etruscan mother and were reared in the forest by a she-wolf. This is a slightly different version of the story of the Hindu epic Ramayana where the divine king Sri Rama abandons Sita and his twin sons, Luva and Kusha. The two boys were reared by their mother and Rishi Valmiki in his forest ashram.
Scholars are of the opinion that the Etruscans were a seafaring people from Asia Minor. As early as 1200 B.C. they were living in Italy covering an area equivalent to modern Tuscany. They later embraced a large part of western Italy, including Rome. They were the forebearers of the Romans and lived in this region up to the beginning of their Roman conquest in 300 B.C.
The Romans intentionally obliterated the memories of this great civilization. The Etruscans vanished from recorded history, leaving behind them a vast treasure of sculpture with largely un-deciphered inscriptions, paintings and artifacts.
Legend states that at the beginning of the Etruscan Age, the city of Rome was founded by the twin sons of the war God Mars. Their names were Romulus and Remus. The boys had been abandoned by their divine father and Etruscan mother and were reared in the forest by a she-wolf. This is a slightly different version of the story of the Hindu epic Ramayana where the divine king Sri Rama abandons Sita and his twin sons, Luva and Kusha. The two boys were reared by their mother and Rishi Valmiki in his forest ashram.
In the Etruscan legend, the twins are raised by a she-wolf in the forest, but that probably emerges from a confusion between the Sanskrit terms 'rishi' (ऋषि) which means a 'sage' and the Sanskrit 'vriki' (वृकी) which means a 'she-wolf'. The fame of Sri Rama had already traversed west from India by the time of the Etruscans. A treasure trove of Etrsucan paintings bears out this argument.
Here is a look at the Etruscan paintings, artefacts and sketches. First a look at this sketch which has had historians baffled. If ever a picture spoke a thousand words, this is the one:
In one shot the Etruscan sketch, which for sure depicts Sri Rama, Sita and Lakshmana establishes that the fame and influence of Sri Rama was powerful enough to have reached the Western horizon. Throughout the Ramayana, Sri Rama is addressed as 'arya' (आर्य) , Sanskrit for 'the noble one'. There never was an 'Aryan' race. It was the aryan culture and customs, that travelled from India towards the West as it did towards the Far-east, along with the emigrants.
Sri Rama was born in Ayodhya in India not a year later than 5118 BC. The exact planetary positions at the time of his birth, recorded in the Valmiki Ramayana, have not occurred in the skies since 5118 BC - as proven by the Nasa Planetarium Software. For more on this subject click here.
There is more evidence that proves that the influence of Sri Rama and Indian ethos and culture had reached Etruria. The following painting of the Etruscan God 'Typhon' looks like another representation of Hanuman flying down Mount Rishabha from the Himalayas, on which grew the wonderful life restoring herb - the 'sanjivini bhuti'.
Here is a look at the Etruscan paintings, artefacts and sketches. First a look at this sketch which has had historians baffled. If ever a picture spoke a thousand words, this is the one:
An Etruscan sketch that has baffled western historians... |
.. and the Ramayana painting that decodes the Etruscan sketch.... |
In one shot the Etruscan sketch, which for sure depicts Sri Rama, Sita and Lakshmana establishes that the fame and influence of Sri Rama was powerful enough to have reached the Western horizon. Throughout the Ramayana, Sri Rama is addressed as 'arya' (आर्य) , Sanskrit for 'the noble one'. There never was an 'Aryan' race. It was the aryan culture and customs, that travelled from India towards the West as it did towards the Far-east, along with the emigrants.
Sri Rama was born in Ayodhya in India not a year later than 5118 BC. The exact planetary positions at the time of his birth, recorded in the Valmiki Ramayana, have not occurred in the skies since 5118 BC - as proven by the Nasa Planetarium Software. For more on this subject click here.
There is more evidence that proves that the influence of Sri Rama and Indian ethos and culture had reached Etruria. The following painting of the Etruscan God 'Typhon' looks like another representation of Hanuman flying down Mount Rishabha from the Himalayas, on which grew the wonderful life restoring herb - the 'sanjivini bhuti'.
Etruscan Typhon This mural seems to be representing the Ramayanic legend when Hanuman encounters Sarasa, the mother of all snakes as he is flying towards Lanka. |
The snakes that one sees wrapped around Typhon's feet seems to be the representation of Hanuman's encounter with the serpent Surasa, who is regarded as the mother of all snakes. Hanuman dodges her when she wants to make him her food and orders him to enter his mouth, by saying that since his tail was quite alike a snake, she was his mother too. Surasa is not convinced; Hanuman then takes the form of a snake, but finally defeats Surasa by assuming a minute form, entering her mouth and exiting just as quick.
An Etruscan artefact depicts the scene of Sugreeva and Bali, the two vanara or monkey- chiefs, with Tara who was the wife of Bali:
Sri Hanuma of Ramayana flies down Mt. Rishabha |
An Etruscan artefact depicts the scene of Sugreeva and Bali, the two vanara or monkey- chiefs, with Tara who was the wife of Bali:
An ancient Etruscan vase depicts Sugreeva and Bali, the monkey-chiefs vie for Tara |
Another Etruscan artefact seems to depict the scene of the aswamedha yagya where Luv and Kush capture the yagya horse. In the Etruscan mythology Luva and Kusha were known as Romulus and Remus. It was common for some one to have his father's (or mother's) name reflected in his or her name, for example Sri Rama was addressed as Dasarath Putra, Sri Krishna was known as Devaki Nandan, the examples are numerous. It is therefore obvious that Luv and Kush were also addressed as the sons of Rama - hence Romulus and Remus.
The features of the Etruscan men and women, especially their large eyes, and the attire were distinctly Asian as is evident from the many paintings and sculpture artifacts of the time.
Etruscan jewellery too seems to have borrowed from and much influenced by the Indian civilization.
As was common to most ancient civilizations, cremation of the dead was the accepted form of the disposal of the body. It was post the advent of Christianity that cremation was rejected along with other Pagan customs.
Suggested Links:
1. The Etruscan Civilization
The twins Luv and Kush and the 'asvamedha yagya' horse of the Ramayana |
This Etruscan sketch has been interpreted with the help of Ramayana. Kaushalya and Kaikeyi, the two queens of King Dasratha share the payasam or potion with Sumitra. |
The features of the Etruscan men and women, especially their large eyes, and the attire were distinctly Asian as is evident from the many paintings and sculpture artifacts of the time.
The large eyes are a feature of Hindu Gods and Goddesses |
The covered head and the sari like garment has Hindu influence |
Notice the sari like attire in this Etruscan painting |
In this Etruscan sculpture the attire is Indian and so is the posture of the dancer/performer |
As was common to most ancient civilizations, cremation of the dead was the accepted form of the disposal of the body. It was post the advent of Christianity that cremation was rejected along with other Pagan customs.
Sri Garuda, the winged Hindu God. The Garuda Purana describes the funeral ceremony and the after world. |
The ancient Etruscan houses were built around a central courtyard, much as the houses in India were. Etruscan temples were always elevated and had to be entered by climbing steps which is exactly as it was in India.
Suggested Links:
1. The Etruscan Civilization
It’s very informative and enlightening article. I was not aware of these historical facts. Grateful.
ReplyDeleteThanks for details.
ReplyDeleteThe etymology for werewolf translated from the dutch Van Dale, etymological dictionary: old english werewulf concrete translation 'manwolf', for the first part is old sakson, oldhigh german, old english 'wer', old norwegian 'ver, gothic wair [man]; outside germanic languages: latin 'vir' [man, (in roman terms an man of exceptional abilities, i.e. a real/true man) human], old irish 'fer, lithouanian vyras, old indian vira- [hero, man with exceptional abilities]; compare greek lukanthropos [wolfman}.
ReplyDeleteTyphon has wings, and a pair of snakes instead of legs, and no tail. Other pictures are pretty convincing.
ReplyDeleteHanuman is known to have taken the form of a snake when he encounters Sarasa, the mother of all snakes, as he flying, carrying a section of a mountain. She attacks him but he manages to dodge her. The Etruscan Typhon mural seems to be depicting the same story.
Delete